Showing posts with label Bureau of Drawers. Show all posts
Showing posts with label Bureau of Drawers. Show all posts

Friday, October 28, 2011

The Pumpkin Smasher Basher

Here's the illustration that I did for the Bureau's Annual Halloween Show at Cafe Racer. This year's theme was "Bad Omens," but I ended up having an idea jump into my head sort of last minute and had to get it out on paper.



Even in my teen years, I never really understood what the appeal of pumpkin smashing was. Taking things that other people (often children, or their parents) cared for and smashing it out of some sort of sense of misdirected rebellion. So, I was amused by the idea of creating a mythical character called the Pumpkin Smasher Basher: A giant pumpkin-headed monster who sneaks up behind pumpkin-smashing youth and -in turn- bashes them of the head with a giant wooden hammer. The poem I wrote to go along with him goes like this:

The Pumpkin Smasher Basher
is a naughty sort of beast,
He sneaks up behind bad children
when they are expecting it the least.

He’s a protector of all pumpkins
and Jack-O-Lanterns too,
He likes to surprise the children
and not just with a “Boo!”

When they lift the pumpkins
to smash them on the ground,
they best check behind themselves
or the Basher’s hammer will go... POUND!


Anyhow, I like the idea, and hope he ends up standing proudly next to the Santa Claus and the Easter Bunny.

Wednesday, June 15, 2011

Economy of Line revisited

The Bureau's "Economy of Line" show, last Friday, was great! Good turn out, and it seemed like both my fellow Bureaucrats and the people visiting the gallery where all having a great time and really enjoying the results.

Early in the evening, the walls are still bear, the artists are hard at work, and people are beginning to trickle in.

As the night goes on, more art goes up!

A couple of hours later, the walls start to fill up, as does the room.

For my part, I ended up drawing underpants. Lot's of underpants. It started with a cartoon of a rabbit in underpants, and moved on to a variety of different creatures, including an alien in underpants... my one sale of the evening.

Wednesday, June 1, 2011

Studio (206) and Economy of Line

Recently, I contributed a piece (hint: it's the illustration in the previous entry) to the Gallery (206) Project, and last night the piece had its big opening. A re-purposed phonebooth, each of its 19 glass panels contains and original piece of art by a local artist, and inside, it contains an audio piece in the phone receiver and art by 206 other local artists in the "phonebook."

Crappy cellphone image of the booth, I'll upload better images when I get the chance.

Edit! New photos!
Here I am, standing in the phonebooth. Please, disregard the odd look on my face. Hmmmm...

The phonebook, open to my page. I still want to go back and check out the phonebook again when I have more time. Such a cool piece. I'd love ot have a copy.

Anyhow, it turned out pretty amazing. I only had a little time inside the booth, but looking through the phonebook, both the art and its presentation was excellent. Finger's crossed that project organizer, Todd Jannausch considers making copies of it available for sale, because I'd love a copy to fill through at my leisure.

I'm not sure how long the gallery will be up (or how long it will last when exposed to the roving hordes of Pioneer Square), but try to check it out if you have the chance.

Looking for another opportunity to see my work and see the work of other amazing Seattle-based illustrators? Well, look no further that the Bureau of Drawer's upcoming Economy of Line one-night show. To quote the press release:

UrbanLight Studios and The Bureau of Drawers are proud to announce "Economy Of Line", an all-new, live-drawing event and gallery show running one night only during the Greenwood-Phinney ArtWalk, June 10, from 6pm-10pm.

"Economy of Line" will feature twenty artists from the Seattle-based art collective The Bureau of Drawers creating original art on the spot and before the very eyes of visitors to the Greenwood Collective's UrbanLight Studios. All art will be for sale, and the artists will be working out in the open to meet and greet all attendees. Watch us build a gallery show while you watch - the walls will fill as the night carries on.

Artists participating in the evening include Lillian Beaty, Breanne Boland, Nikki Burch, Sean Closson, Sara DeRosier, Tom Dougherty, Scott Faulkner, Nico Feliciano, Tyler Hill, Justin Ison, Jon Morris, Marc Palm, Sean Robinson, Lawrence Ruelos, Mark Stockbridge, Stevie VanBronkhorst, Tom Van Deusen and Adam Watson.

Join Urbanlight Studios and the Bureau of Drawers during the Greenwood-Phinney Artwalk on June 10 for a night of live drawing like no other!


And here's the poster, designed by fellow Bureaucrat, Calamity Jon Morris:

Wednesday, February 16, 2011

Failed Tales of Romance: Step-By-Step

A little less than a year ago, I did a "Step-By-Step" entry here, where I walked you all through my process as I created a vector illustration of a dancing woman (read it here). Because I thought that was an interesting exercise, and because I recently did an illustration for a Bureau of Drawers' Valentine's show that had a little less-than-conventional creation process, I thought I'd do another post here today. While my first Step-By-Step was more technical in nature. This one ended up being more of a conceptual exercise. If nothing else, it will help show how each drawing is different, and how drastically process can change from illustration to illustration.

For the the Bureau's "Lovesick" show, which will be showing at Fantagraphics Books through early March, each artist was challenged to create a piece that dealt loosely with the idea of unrequited love. So, with that in mind, I set to work...

Idea #1: St. Valentine
Right out of the chute, I became fixated on the idea of doing some sort of religious icon, that reinterpreted St. Valentine. So, looking at Wikipedia's entry on the saint, I noticed this list of his "attributes":

birds; roses; bishop with a crippled or a child with epilepsy at his feet; bishop with a rooster nearby; bishop refusing to adore an idol; bishop being beheaded; priest bearing a sword; priest holding a sun; priest giving sight to a blind girl[1]


Seeing that, my idea was to create an illustration that incorporated as many of those concepts as I could easily include, but which otherwise ignored a lot of the traditional trappings of Catholic images. Sort of a alternate universe take on St. Valentine. This was the sketch that came out of it:



Now, technically, there was a lot that I liked about this image, but -in a moment of clarity- I realized that A) it was getting too esoteric and B) it really didn't have anything to do with unrequited love. So, back to the drawing board...

Idea #2: I Heart... Ew.
While inking the illustration above, I began to realize that it wasn't working, so in the back of my mind another concept started to roll around. I became more and more obsessed with the idea of taking a traditional Valentine's phrase, and -at the risk of falling into a black hole of puns- give it a twist.

First, I considered the idea "Bee Mind" and was going to draw a picture of a lobotomized bee. But, again, probably too esoteric. Then I started to consider a play on the old "I Heart You." Ewe? Maybe I could do sheep? Or, maybe, ew.

This led to this picture of a little girl (based roughly on my daughter) being grossed out by a floating eye and heart.



Again, there were things I liked about it. But, at the end of the day, while I did like the opportunity to figure out how to draw realistic hearts, I felt like the overall layout wasn't quite working and the idea wasn't quite coming together. Plus, again, not really dealing with unrequited love.

Idea #3: Modern Love
So, this was the next thought process I went through:

Why is love so often unrequited these days? Is it because people are hardened to each other? Is it because today's dating scene is considered so difficult to navigate without being trampled on emotionally? If so, would a traditional cupid have any sort of chance? Or, would cupid need an upgrade? What would a modern day cupid look like?

Perhaps that sounds a little too much like a Sex in the City voice-over, but still thus was born this picture:



Gone is the nearly naked baby, now suited up in military camouflage, a utility vest and foam-dome hat. His dainty bow replaced by a state-of-the-art compound bow. If love is a battlefield, at least he's now equipped for it.

OK, this idea I felt had some wings (sic). But, after thinking about it some more, and a little side-long advice from a fellow Bureaucrat, I began to feel it was to... to... well, obvious. I wanted my piece to be something I felt no one else could create, and there was something a little too close to Hallmark card material for me here.

Idea #4: A Robot Raised My Baby
My next idea was to take the idea of unrequited love, and sort of try to turn it and look at it in a different direction.

What is one of the most pure forms of love? Well, arguably, its the love felt between a parent and newborn child. I suppose one could argue that newborns don't truly know how to love since they are still developing, but anyone who's been a new parent and held their new child knows what I'm talking about. (OK, just work with me here, I'm a father of a 2-year-old with a new baby on the way... so this is just the universe my mind lives in these days. Allow me that conceit.)

If that is the symbol for pure low, what symbolizes the inability to love? Well, if you turn to science fiction, you find an easy answer: Robots. How many science fiction fables hing on robots inability to feel emotions? Lots.

So, if babies represent pure, unconditional love and robots represent the inability to love, then it stood to reason that pairing the two was a good representation of unrequited love. The baby folded into the robot, obviously in love with its robot parent. The robot, meanwhile, is ably nurturing the baby, but -in the end- cannot love it. Which resulted in this drawing:



Again, I liked this drawing and idea. But, I was concerned that it would seem to sentimental. Or, without me there to defend it, would a lot of my thoughts not really be readily apparent or just seem flimsy? Again, it just didn't seem to hold up on its own.

So, with four failed concepts, and only a couple days left to the show, what should I do? Well, in the end, I decided to follow a potentially disastrous plan and...

Idea #5: Combine Them!
What I had in my hands were four flawed concepts for illustrations about love. For failed tales I'd attempted to tell. But, maybe, together they began to tell a bigger and more complete story. Maybe, like an anthology, when put together the sum becomes greater than its parts. The tales cover for each others weaknesses and allow the strengths to shine. That was my concept at least. I'll leave it to you to be the judge because...

I had a cover to draw!

Taking the idea of old school anthology comics, like the ones below, I decided to create a "vintage" comic cover in which each of these four stories would get a small place to live.



Using covers like these as my inspiration. I scanned my four original illustrations, brought them into Illustrator, and assembled them all into one rough piece along with some basic comic cover elements (like the Comic Code stamp) and title text. I deliberately kept this rough, because I knew I'd want to heavily redraw it, but at the same time, wanted a loose guideline to follow. Here's what it looked like up to that point:



Printing this out, I fired up my light table, and began to redraw it. Some portions remained pretty true to the original version (like the robot, baby and St. Valentines), but others changed fairly significantly. The "Ew" got dropped, and the little girl got aged a bit to avoid too many babies on the cover. Meanwhile, cupid got stuck into the middle of an aerial battle scene, poor kid. I also added some background elements, redrew some of the type in more stylized letters (like the inexplicable, yet oddly appropriate "Chinese restaurant"-style type for St. Valentines title).

With it redrawn and inked, I then set out coloring it. Early on, I'd decided that I wanted to use a limited color pallet. Though old comics were my stylistic starting point here, I wanted this to also be its own thing, and not just a homage. So, limiting myself to black, gray, pink and red ink, I eventually ended up here:



And that, framed, is what is now hanging on the wall at Fantagraphics. If you enjoyed reading this, I recommend you stop by there and check it out in person. I generally try to not make excuses for my art, but I do want to qualify the above image by saying that my scanner is dying a long slow death, and I don't think the above scan really does it justice. So, see it in person, if you can. Plus, there's a lot of other great art up by my fellow Bureaucrats.

Anyhow, I hope you did enjoy reading this. I'm not saying this is my most favorite drawing ever, but I do think it will always hold a special place in my heart, since I spent so much time living with it and working through it.

Happy Belated Valentine's Day.

Thursday, January 6, 2011

Empty Bowl



Apologies for the somewhat blurry phone-photo, but I thought this was worth sharing. Last night me and some of my fellow Bureaucrats took part in the Empty Bowls fundraiser. If you haven't heard about it, basically potters create bowls that other artists then paint. These bowls are then fired, sold to people, and filled with a nice soup dinner, with proceeds going to the Ballard Food Bank. You can read more about it here.

I don't think I've tried painting something that will be fired in a kiln since, like, High School, so who knows how this will turn out (if I see the final results, I'll post them here). Still, a fun evening for a great cause.

Wednesday, December 15, 2010

The Mummified Ghost of Dr. Frankenstein's Vampiric Werewolf Witch from the Black Lagoon


This is a couple months (and an entire season) late, but here's the illustration I did for the Bureau of Drawers' "Monster"-themed Halloween show at Cafe Racer. I figured that, if one type of monster was scary, combining them all into one mega-monster would be horrifying. Right?

Right?

Friday, September 10, 2010

COMBO #1 show at UrbanLight Studios

Tonight, for one night onle, me and my fellow Bureaucrats will be holding a gallery exhibit at Greenwood's UrbanLight Studio. This show, which will feature a number of pieces of original art as well as live drawing sessions (get an original drawing, for only $1!) is in support of the Bureau of Drawers first group release: Combo #1.



Combo #1 is a veritable grab-bag of original comics and similar pamphlets created by 16 members of the Bureau. You'll be able to buy this little treasure when it makes its debut tonight at our show.

In addition, many members of the Bureau will be showing original art and prints drawn from or inspired by their submissions. I'll be displaying 4 prints, including this images below, entitled DEF:



Here's all the details you'll need to find us!

COMBO #1: Gallery Show and Release Party
Featuring the Bureau of Drawers
Friday, Sept 10
6-10PM
UrbanLight Studios
info@urbanlightstudios.com
8537 Greenwood Ave N
Seattle, WA (206) 913-2834

See you there!

Tuesday, August 24, 2010

SAM Remix appearance

To quote myself on Facebook:
Do you like Fun? What about Art? Music? Me? If you answered "yes" to at least one of those things, you should come see me and the Bureau of Drawers at the Olympic Sculpture Garden this Friday. We'll be drawing. Outside. Starting at 8pm. I'll say it again: Fun.

The Bureau of Drawers, including me, will be engaging in some public illustration this Friday at the Olympic Sculpture Garden as part of SAM Remix. I'm really excited that we are part of what should be an exciting night of art and music. The whole line up sounds interesting:

* Houston-based artist Trenton Doyle Hancock discusses his brand new installation for the PACCAR Pavilion
* Enjoy SunTzu Sound’s cosmic blend of urban cultures and organic rhythms.
* Truckasauras rocks the party with an explosive lo-fi live set.
* Seattle Percussion Collective provides a sunset soundtrack to Richard Serra’s "Wake".
* Writer Amber Flame responds to the work of Trenton Doyle Hancock.
* Collaborate with visual artist Mandy Greer using recycled materials.
* Dance under the stars to the global beats of I Heart Shiva.
* Contribute to a massive collaborative comic drawing with the Bureau of Drawers.
* The band Library Science rouses the senses with aural and visual delights.
* Susie Lee presents a dance, music, and digital drawing project.
* Try this spontaneous one-line poetry form derived by Allen Ginsberg from haiku.
* My Favorite Things Tours with artist Jenny Heishman, writer Michael Dylan Welch, Seattle Weekly's Victoria Ellison, art critic Jen Graves and others.

Personally, I have a soft spot for I Heart Shiva, since I first met my wife at Seattle's the Baltic Room, during an I Heart Shiva night. But, the real action will certainly (or at least hopefully) be the collaborative illustration project lead by the Bureau of Drawers, so come check it out!

Tuesday, July 27, 2010

"Combo #1" teaser image



The Bureau of Drawers is in the process of producing Combo #1, a "Happy Meal" box filled to the gills with mini-comics and other similar works of illustration. The above image is the cover to my submission, Doctor General Oswald P. Seawall's Book In Which Children May Color (If This Behavior Is To Be Their Inclination), which is sort of a coloring book that's run off its rails a bit.

I dropped it off at the printers (read: Kinkos) this morning, and I'm excited to see the final version. I'm even more excited to check out the other submissions by this talented group of Seattle-based illustrators.

If you are interested, keep your eyes peeled here and on the Bureau's blog too.

Tuesday, July 13, 2010

Figure Drawing - July 12th

After two session of figure drawing with a female model, it was a bit of a challenge switching to the more angular shapes of a male model. But, though my initial gesture drawings were a bit uneven, I felt like I'd found my sea-legs by the last couple of poses.

Anyhow, these two images were, I believe, 20 or 30 minute poses.


I think that the symbols on his chest were Egyptian hieroglyphs (if you are wondering), but it was hard to make out at the distance I was sitting.



Looking at these now, it looks sort of like I'm afraid of drawing feet, which isn't the case. Instead, I just have a small, crappy scanner and they were cut off during the scanning process.

Tuesday, June 29, 2010

Personal Portrait



The illustration group I am part of, Bureau of Drawers, recently started a blog to chronicle and promote our work. Recently, we began posting profiles of all of our members, and several days ago it was my turn, so I created this Hindu-deity-meets-Vitruvian-Man piece. The various arms represent (from upper right, going clockwise) my roll as illustrator, husband, comic collector, traveler, designer and wine-maker, with my daughter, Stella, along for the ride.

The other members of the Bureau are really an amazing group of illustrators, and I feel fortunate to be considered one of there members. So be sure to check out the work of my fellow Bureaucrats.

Thursday, April 15, 2010

'Monkey' sketch



Inspired by the folk story Monkey (also known as A Journey to the West), which I've been reading recently, last night I decided to take a stab at drawing my version of the titular character. In the end, I probably took some artistic liberties with the character's appearance, but I was still pleased with the results.

Monkey!

Thursday, March 18, 2010

Recent Sketches - March '10

In an effort to update this blog more regularly, here are a few sketches I did recently. All of these were at the Wednesday illustration group I've been attending: Friends of the Nib.


Condorman & Gangster Stan Lee star in "The Battle For Neptune"
What started as a caricature of Stan Lee morphed into an elderly gangster, and Disney superhero Condorman appears thanks to some old comics sitting nearby. The illustrator next to me was drawing Neptune... so it only made sense that they'd be fighting over control of it. Right?


An Echidna with a Gatling Gun
The Gatling gun makes more sense if you read up on echidnas. I'm not sure what sort of accent he has, though it doesn't sound like Australian, which would be the logical assumption.

(Oh, and please ignore the fact that I misspelled "Gatlin'" in that drawing. It's probably to my credit that I don't know how to spell firearm names without looking them up online.)


Maxwell Thorton Jr. - Hunting Gent
This chap will hopefully appear in a card game idea I've been playing around with.

Sunday, February 7, 2010

Penguin sketch


Client: Personal
Description: Last week, at the illustration group I attend on Wednesday, Friends of the Nib, someone brought a bunch of old Batman 2 trading cards and challenged everyone to draw a picture based on them. At the end of the night, I'd created this pen and ink illustrated tribute to Danny Devito's Pengiun.

Friday, November 6, 2009

Childhood (the Forest Car)


Client: Personal Project
Description: Several weeks ago, I had a friend mention an illustration contest where you had to draw a picture that you thought represented "childhood." For some reason, the first thing that sprang into my mind was a group of old rusted out cars that were in a small woods, out passed a dead-end road near my childhood house. As you might imagine, it was very off-limits to go play on or by these rusted old cars, but occasionally, we'd sneak off and take a look at them anyhow.

I'm pretty sure that I've since missed the contest, but I thought I'd put the image to paper. Needless to say, that kid doesn't look like me, and there were never fairy lights hanging from the surrounding pine trees... but still.